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Happy 128th Birthday Hedda Hopper

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Today is the 128th birthday of Hollywood actress and gossip columnist Hedda Hopper. There were some really great scenes of her in the Bette Davis/Joan Crawford Feud that personalized her a bit more than I think I had ever really considered. The world is a better place because she was in it and still feels the loss that she has left.

NAME: Hedda Hopper
OCCUPATION: Theater Actress, Film Actor/Film Actress
BIRTH DATE: June 2, 1890
DEATH DATE: February 1, 1966
PLACE OF BIRTH: Hollidaysburg, Pennsylvania
PLACE OF DEATH: Hollywood, California
ORIGINALLY: Elda Furry
HOLLYWOOD WALK OF FAME:   6313-1/2 Hollywood Blvd (motion pictures)

BEST KNOWN FOR: Hedda Hopper, a woman with amazing hats, was an American gossip columnists during the first half of the 1900s. She was also an actress and radio personality.

Gossip columist and actress Elda Furry, better known as Hedda Hopper, was born on June 2, 1890, in Hollidaysburg, Pennsylvania. One of nine children, Furry studied singing at the Carter Conservatory of Music in Pittsburgh during high school.

At the age of 18, she ran away after her Quaker parents rejected her plans to pursue a career in musical theater. She worked as a chorus girl and appeared in amateur theater productions before making her Broadway debut in 1909 in a small role in The Motor Girl. In 1913, Furry appeared with the popular comedic actor, and notorious womanizer, DeWolf Hopper in the musical comedy A Matinee Idol. Later that same year, she became Hopper’s much-older fifth wife.

She took the name Hedda Hopper in 1919; the first name was reportedly chosen by a numerologist. After making her big screen debut in the 1916 silent film The Battle of Hearts, Hopper found success in Hollywood as a character actress for Metro-Goldwyn-Mayer (MGM), appearing in over 100 films over the next three decades. In 1922, she and DeWolf Hopper divorced.

By the mid-1930s, Hopper was working as a freelance actress (without a studio contract) and her film career had fallen into a slump. Her famous sense of style and outspoken personality led to jobs at Elizabeth Arden cosmetics and as a fashion commentator on a Hollywood radio station. In 1937, the Esquire Feature Syndicate was looking for a Hollywood columnist and found one in Hopper. Untried, her column was sold to 13 papers and a career was launched.

When the column began appearing in the prestigious Los Angeles Times, her status shot upward and her power grew. Her column appeared in 85 metropolitan papers, 3,000 small-town dailies, and 2,000 weeklies. When she replaced John Chapman at The New York Daily News, she picked up an additional audience of 5,750,000 daily and 7,500,000 on Sunday. She appeared on weekly radio shows and wrote two best sellers: From Under My Hat and The Whole Truth and Nothing But.

Hedda’s large, flamboyant hats became her trademarks–she reportedly bought about 150 new hats a year. Hopper also acquired a reputation for journalistic bitchiness, which actually made her more popular. She took on anything or anyone who went against her set of “American” values. She doggedly spoke out against the threat of communism, real or imagined, in Hollywood. During the infamous “blacklisting” era, she destroyed the reputations of many people with hearsay.

She badgered Charlie Chaplin about the way he used women and America. She blasted Louis B. Mayer for lacking generosity. Her 10-year feud with her rival columnist Louella Parsons was legendary.  After publishing a “blind item” on Katharine Hepburn and Spencer Tracy’s relationship, Tracy confronted her at Ciro’s and kicked her in the rear.  Similarly, after she had printed a story about an extramarital affair between Joseph Cotten and Deanna Durbin, Cotten ran into Hopper at a social event and pulled out her chair, only to continue pulling it out from under her when she sat down.

Hopper never remarried and lived to see her son, William (Bill) DeWolf Hopper Jr., achieve success as Paul Drake on the TV drama Perry Mason.

She died of pneumonia in 1966.  She is buried at Rose Hill Cemetery,Altoona, Pennsylvania.

For her contribution to the motion picture industry, Hopper has a star on the Hollywood Walk of Fame at 6313½ Hollywood Boulevard in Hollywood.

FILMOGRAPHY AS ACTOR
The Oscar (4-Mar-1966) · Herself
The Patsy (2-Aug-1964) · Herself
Pepe (21-Dec-1960) · Herself
Sunset Blvd. (4-Aug-1950) · Herself
Breakfast in Hollywood (26-Feb-1946)
Reap the Wild Wind (19-Mar-1942) · Aunt Henrietta
Cross Country Romance (12-Jul-1940) · Mrs. North
The Women (1-Sep-1939) · Dolly DuPuyster
Midnight (15-Mar-1939) · Stephanie
Thanks for the Memory (11-Nov-1938)
Dangerous to Know (11-Mar-1938)
Maid’s Night Out (4-Mar-1938) · Mrs. Harrison
Tarzan’s Revenge (7-Jan-1938) · Penny Reed
Artists & Models (4-Aug-1937)
Topper (16-Jul-1937) · Mrs. Stuyvesant
You Can’t Buy Luck (30-Apr-1937) · Mrs. Agnes White
Dracula’s Daughter (11-May-1936) · Lady Esme Hammond
The Dark Hour (18-Feb-1936)
I Live My Life (4-Oct-1935) · Alvin’s Mother
Alice Adams (14-Aug-1935) · Mrs. Palmer
One Frightened Night (1-May-1935)
Bombay Mail (6-Jan-1934)
Beauty for Sale (1-Sep-1933) · Mme. Sonia
Pilgrimage (12-Jul-1933)
The Barbarian (12-May-1933) · American Tourist
Men Must Fight (17-Feb-1933) · Mrs. Chase
Speak Easily (13-Aug-1932) · Mrs. Peets
Downstairs (6-Aug-1932) · Countess De Marnac
Skyscraper Souls (16-Jul-1932) · Ella Dwight
As You Desire Me (28-May-1932) · Madame Montari
Night World (5-May-1932)
The Man Who Played God (10-Feb-1932)
West of Broadway (28-Nov-1931)
Flying High (14-Nov-1931)
The Common Law (17-Jul-1931) · Mrs. Clare Collis
War Nurse (22-Oct-1930)
Our Blushing Brides (19-Jul-1930)
Let Us Be Gay (11-Jul-1930)
Holiday (3-Jul-1930)
His Glorious Night (28-Sep-1929)
The Last of Mrs. Cheyney (6-Jul-1929) · Lady Maria
The Drop Kick (25-Sep-1927)
Don Juan (6-Aug-1926)
Zander the Great (2-May-1925)
Sherlock Holmes (7-Mar-1922) · Madge Larrabee

Source: Hedda Hopper – Wikipedia, the free encyclopedia

Source: Hedda Hopper – Theater Actress, Film Actress – Biography.com

Source: The Powerful Rivalry of Hedda Hopper and Louella Parsons | Vanity Fair

Source: Hedda Hopper

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Happy 153rd Birthday Dr. Susan La Flesche Picotte

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Today is the 153rd birthday of the first Native American physician, activist, and today’s Google Doodle Dr. Susan La Flesche Picotte. Her story should inspire everyone, it touches on obstacles, determination, and persistence. The world is a better place because she was in it and still feels the loss that she has left.

NAME: Susan La Flesche Picotte
OCCUPATION: Medical Professional, Doctor
BIRTH DATE: June 17, 1865
DEATH DATE: September 18, 1915
PLACE OF BIRTH: Omaha Reservation, Nebraska
PLACE OF DEATH: Bancroft, Nebraska

BEST KNOWN FOR: Susan La Flesche Picotte was the first Native American woman to become a physician in the United States. A member of the Omaha Reservation, she worked tirelessly for her people.

Susan La Flesche was born on the Omaha Indian Reservation, in northeast Nebraska, on June 17, 1865. She was the youngest of four daughters of Chief Joseph La Flesche (known as “Iron Eyes”) of the Omaha tribe and his wife, Mary Gale (One Woman). Both parents were of mixed race and wanted their children to live in the white and Native American worlds. After attending a mission school on the reservation, young Susan attended the Elizabeth Institute for Young Ladies and later the Hampton Institute in Virginia, from which she graduated in 1886.

While growing up on the Omaha reservation, several experiences led La Flesche to consider a medical education. She had experienced the poor living conditions of the Omaha people and once watched a sick Native American woman die because a white doctor refused to give her care. La Flesche knew she had to do something to change the predicament of her people.

While at the Hampton Institute, Susan La Flesche was encouraged by one of her mentors, Martha Waldron, to acquire a scholarship from the U.S. Office of Indian Affairs. When that scholarship was granted, La Flesche became the first person to receive federal aid for a professional education. In 1886 she began to attend the Women’s Medical College of Pennsylvania, one of only a few medical schools at that time that accepted women.

While pursuing her education, La Flesche continued to experience life in both the white and Native American worlds. During her schooling in Philadelphia, she was in awe of the lavish dresses she saw in the department stores. When she was fitted for a dress, she wrote to one of her sisters that it made her “become a lady of fashion.” In the same letter, she paradoxically told her sister that she yearned for a pair of moccasins.

In 1889, Susan La Flesche completed the three-year medical program at the top of her class of 36, and following a one-year internship, she became the first Native American woman physician in the country. She returned home to work at the government boarding school, caring for 1,200 white and Native American patients. While there, she strove for major changes in the health care of all patients, promoting the importance of cleanliness and ventilation. She especially counseled tribal people on the benefits of fresh air, discarding trash and killing flies, which were known to be transmitters of tuberculosis and other diseases.

Serving as a reservation doctor proved to be very challenging for La Flesche. She was paid only $500 a year, which was ten times less than an Army or Navy doctor, and whenever the Bureau of Indian Affairs ran out of supplies for the tribe, La Flesche would be forced to use her own money to pay for them. During the severe winter of 1891, she would see more than 100 patients a month, making many house calls in sub-zero weather. Over time, the 20-hour workdays took a toll on her health, and in 1893, she was bed-ridden for two months.

In 1894, Susan La Flesche married Henry Picotte, a Sioux Indian from South Dakota. The couple moved to Bancroft, Nebraska, where she set up a private practice and they raised two children. In a time of Victorian values, when women were generally expected to be full-time mothers and housekeepers after marriage, La Flesche Picotte worked full-time as a professional.

For most of his adult life, Henry Picotte suffered from alcoholism, and often La Flesche Picotte had to take care of him while simultaneously running her medical practice. The experience would eventually lead her to the Temperance Movement, and when Henry died in 1905, La Flesche Picotte became determined to eliminate the scourge of alcohol on reservations. In 1906, she led a delegation to Washington, D.C., to lobby for the prohibition of alcohol on Indian lands.

Her opposition to alcohol on the reservations led her to fight for other causes and to attract some controversy. She supported a new Native American religious movement, the Peyote Religion, a pro-temperance Christian denomination that sought to introduce the hallucinogenic drug peyote into Native American spiritual traditions. This put her in opposition with many of her white medical colleagues. She also became an activist for the tribal people’s legal status and citizenship and fought against land fraud perpetrated on the Omaha people. Her activism hit home when she confronted the Bureau of Indian Affairs bureaucracy to prove she was more competent than a male relative to oversee her husband’s estate after his death.

Susan La Flesche Picotte also pushed for modern hygiene and disease prevention standards among the Omaha people. In 1913, she fulfilled a lifelong dream by opening a hospital on the Omaha reservation town of Walthill, Nebraska. Despite these accomplishments, La Flesche Picotte suffered from chronic pain and respiratory problems, and as she grew older and her health declined, she became unable to carry on her many causes. In March 1915, she became debilitated, and she died on September 18, 1915, of what was believed to be bone cancer.

Susan La Flesche Picotte’s legacy extends beyond being the first Native American female physician. She championed many causes of Native Americans in the late-19th and early-20th centuries, and she is considered to be an early trailblazer of the women’s movement. La Flesche Picotte was ahead of her time in pursuing causes many considered unimportant. She never shied away from speaking truth to power, even when it meant facing criticism from both white and tribal people. Her courage and compassion made her a unique and effective leader.

Source: Susan La Flesche Picotte – Wikipedia

Source: Changing the Face of Medicine | Susan La Flesche Picotte

Source: Susan La Flesche Picotte: 5 Fast Facts You Need to Know

Source: Susan La Flesche Picotte – Medical Professional, Doctor – Biography.com

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Happy 65th Birthday Cyndi Lauper

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Today is the 65th birthday of the singer/songwriter/actor/activist Cyndi Lauper. I remember when her “She’s So Unusual” album was released. She was unusual, she was different, she was everything that we needed, but didn’t know we needed. She has changed the landscape of music and activism over her 30+ year career and we are all the better for it.

Cyndi Lauper 1NAME: Cyndi Lauper
OCCUPATION: Songwriter, Singer
BIRTH DATE: June 22, 1953
PLACE OF BIRTH: Astoria, New York
GRAMMY: Best New Artist (1984)
EMMY: (1995)

BEST KNOWN FOR: Cyndi Lauper is an American singer-songwriter who rose to fame in the 1980s with a string of pop hits such as “Girls Just Want to Have Fun.”

Cynthia Ann Stephanie Lauper was born on June 22, 1953, in Astoria, New York. Her earliest childhood days were spent in Brooklyn, but when she was about four years old, the family moved to Ozone Park, Queens, where she lived in a railroad-style apartment through her teenage years. Growing up, Lauper felt like an outcast. Her parents divorced when she was five. Lauper and her two siblings were raised by her mother, who worked as a waitress to support the family — and who loved the arts and frequently took her children to Manhattan to see Shakespeare plays or visit art museums. Lauper did not do particularly well in school, and was reportedly kicked out of several parochial schools in her youth. Despite her hard times, she discovered a love of singing and music at an early age, and was writing her own songs by the age of 12.

After eventually getting a high school equivalency degree, Lauper worked a number of odd jobs before her music career took off. She waitressed, served as an office assistant, and even sang in a Japanese restaurant for a time. During this time, Lauper also played in a number of bands. She had her first taste of success with the band Blue Angel, which landed a record deal. The group made one record together before splitting up.

Going solo, Lauper burst onto the charts with her debut album, She’s So Unusual. With her eclectic clothes, flamboyantly styled hair, and contagious pop melodies, Lauper took the music world by surprise. The 1983 recording sold almost 5 million copies and featured her first hit, “Girls Just Want to Have Fun.” The song became a female party anthem, and the video for it went into heavy rotation on MTV. Lauper became wildly popular almost overnight, scoring a string of hits that included “Time After Time,” “She Bop” and “All Through the Night.” She was further rewarded for her work when she won the 1984 Grammy Award for Best New Artist. In 1985, she released “The Goonies ‘R’ Good Enough” for the soundtrack of the film The Goonies.

Her 1986 follow-up album, True Colors, sold nearly 1 million copies. Exploring new creative avenues, Lauper made her film debut in 1988 starring opposite Jeff Goldblum in the comedy Vibes. The movie performed poorly in both the commercial and critical realms. In 1989, Lauper released her third album A Night to Remember, which featured the hit “I Drove All Night,” but had weak overall sales compared to her previous albums.

Lauper had success as an actress in a recurring role on the TV sitcom Mad About You, which starred Helen Hunt and Paul Reiser. In 1995, Lauper won an Emmy for her work on the series. She later appeared on such shows as That’s So Raven and Bones.

While she explored acting, Lauper continued to make music. Although Hatful of Stars (1993) was not a commercial success, it was an artistic achievement for Lauper. The album was widely praised by critics for songs, which took on difficult topics such as domestic abuse and homophobia. Twelve Deadly Cyns, a compilation of her hits, was released in 1995. In 1997, Lauper received critical praise for Sisters of Avalon, which included all new music, and she followed up with a holiday album Merry Christmas. . .Have a Nice Life! (1998).

Lauper didn’t release new music until At Last (2003), a collection of pop standards. Her 2008 album Bring Ya to the Brink (2008) featured dance tracks including the Grammy-nominated song “High and Mighty.” Her album, Memphis Blues (2010), featured her take on several classic blues songs.

In 2012, the pop icon wrote her autobiography Cyndi Lauper: A Memoir. The following year, she took her talents to Broadway writing the music and lyrics for Kinky Boots with a book by Harvey Fierstein. Kinky Boots won six Tony Awards, including for best musical, best leading man and best original score. Directed and choreographed by Tony Award winner Jerry Mitchell, the production centers on the life of Charlie Price, who, after inheriting his father’s nearly bankrupt shoe factory, discovers the man he’s meant to be with the help of an entertainer named Lola.

In 2013, Lauper celebrated the 30th anniversary of the album that launched her career, She’s So Unusual, with a tour. In 2016, she released Detour, a country album featuring duets with Willie Nelson, Emmylou Harris, Vince Gill, Jewel and Alison Krauss.

Outside of music, Lauper has been a tireless activist for the gay rights movement. “Civil rights have to be afforded to every American, no matter what their color, gender or sexual preference. You can’t say this is a democracy if that isn’t the case,” she told WWD. She helped establish the True Colors Fund, which works to promote awareness and fight for equality.

On the fund’s website, Lauper writes “Everyone—whether straight, gay, lesbian, bisexual or transgender—should be allowed to show their true colors, and be accepted and loved for who they are. Every American should be guaranteed equal treatment at school, at work, in their relationships, in service of their country . . . and in every part of their lives.” In addition to touring to raise money for the fund, Lauper competed on the reality show The Celebrity Apprentice to help out her charity.

Lauper has been married to actor David Thornton since 1991. The couple has a son, Declyn, together.

Source: Cyndi Lauper – Songwriter, Singer – Biography.com

Source: Cyndi Lauper – Wikipedia, the free encyclopedia

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Happy 138th Birthday Helen Keller

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Today is the 138th birthday of the activist and role model Helen Keller. We seemed to learn a lot about her when we were kids and then her lessons seem to fall out of style as we grow older. The truth is, her lessons are important for all ages, but most important for adults as we are the ones that can put those concepts into action. I have included some quotes of hers below that resonate with me, I suggest you do some investigating and find some that do the same for you. The world is a better place because she was in it and still feels the loss that she has left.

hellen keller 1NAME: Helen Keller
OCCUPATION: Educator, Journalist
BIRTH DATE: June 27, 1880
DEATH DATE: June 1, 1968
EDUCATION: Radcliffe College, Horace Mann School for the Deaf, Wright-Humason School for the Deaf, Cambridge School for Young Ladies
PLACE OF BIRTH: Tuscumbia, Alabama
PLACE OF DEATH: Easton, Connecticut
PRESIDENTIAL MEDAL OF FREEDOM: 1964
FRENCH LEGON OF HONOR
NATIONAL WOMENS HALL OF FAME: 1973

BEST KNOWN FOR: American educator Helen Keller overcame the adversity of being blind and deaf to become one of the 20th century’s leading humanitarians, as well as co-founder of the ACLU.

Helen Keller was the first of two daughters born to Arthur H. Keller and Katherine Adams Keller. She also had two older stepbrothers. Keller’s father had proudly served as an officer in the Confederate Army during the Civil War. The family was not particularly wealthy and earned income from their cotton plantation. Later, Arthur became the editor of a weekly local newspaper, the North Alabamian.

Keller was born with her senses of sight and hearing, and started speaking when she was just 6 months old. She started walking at the age of 1.

What we have once enjoyed we can never lose. All that we love deeply becomes a part of us.

In 1882, however, Keller contracted an illness—called “brain fever” by the family doctor—that produced a high body temperature. The true nature of the illness remains a mystery today, though some experts believe it might have been scarlet fever or meningitis. Within a few days after the fever broke, Keller’s mother noticed that her daughter didn’t show any reaction when the dinner bell was rung, or when a hand was waved in front of her face. Keller had lost both her sight and hearing. She was just 19 months old.

As Keller grew into childhood, she developed a limited method of communication with her companion, Martha Washington, the young daughter of the family cook. The two had created a type of sign language, and by the time Keller was 7, they had invented more than 60 signs to communicate with each other. But Keller had become very wild and unruly during this time. She would kick and scream when angry, and giggle uncontrollably when happy. She tormented Martha and inflicted raging tantrums on her parents. Many family relatives felt she should be institutionalized.

When one door of happiness closes, another opens; but often we look so long at the closed door that we do not see the one which has been opened for us.

Looking for answers and inspiration, in 1886, Keller’s mother came across a travelogue by Charles Dickens, American Notes. She read of the successful education of another deaf and blind child, Laura Bridgman, and soon dispatched Keller and her father to Baltimore, Maryland to see specialist Dr. J. Julian Chisolm. After examining Keller, Chisolm recommended that she see Alexander Graham Bell, the inventor of the telephone, who was working with deaf children at the time. Bell met with Keller and her parents, and suggested that they travel to the Perkins Institute for the Blind in Boston, Massachusetts. There, the family met with the school’s director, Michael Anaganos. He suggested Helen work with one of the institute’s most recent graduates, Anne Sullivan. And so began a 49-year relationship between teacher and pupil.

On March 3, 1887, Sullivan went to Keller’s home in Alabama and immediately went to work. She began by teaching six year-old Helen finger spelling, starting with the word “doll,” to help Keller understand the gift of a doll she had brought along. Other words would follow. At first, Keller was curious, then defiant, refusing to cooperate with Sullivan’s instruction. When Keller did cooperate, Sullivan could tell that she wasn’t making the connection between the objects and the letters spelled out in her hand. Sullivan kept working at it, forcing Helen to go through the regimen.

As Keller’s frustration grew, the tantrums increased. Finally, Sullivan demanded that she and Keller be isolated from the rest of the family for a time, so that Keller could concentrate only on Sullivan’s instruction. They moved to a cottage on the plantation.

The most pathetic person in the world is some one who has sight but no vision.

In a dramatic struggle, Sullivan taught Keller the word “water”; she helped her make the connection between the object and the letters by taking Keller out to the water pump, and placing Keller’s hand under the spout. While Sullivan moved the lever to flush cool water over Keller’s hand, she spelled out the word w-a-t-e-r on Helen’s other hand. Keller understood and repeated the word in Sullivan’s hand. She then pounded the ground, demanding to know its “letter name.” Sullivan followed her, spelling out the word into her hand. Keller moved to other objects with Sullivan in tow. By nightfall, she had learned 30 words.

In 1890, Keller began speech classes at the Horace Mann School for the Deaf in Boston. She would toil for 25 years to learn to speak so that others could understand her. From 1894 to 1896, she attended the Wright-Humason School for the Deaf in New York City. There, she worked on improving her communication skills and studied regular academic subjects.

What I’m looking for is not out there, it is in me.

Around this time, Keller became determined to attend college. In 1896, she attended the Cambridge School for Young Ladies, a preparatory school for women. As her story became known to the general public, Keller began to meet famous and influential people. One of them was the writer Mark Twain, who was very impressed with her. They became friends. Twain introduced her to his friend Henry H. Rogers, a Standard Oil executive. Rogers was so impressed with Keller’s talent, drive and determination that he agreed to pay for her to attend Radcliffe College. There, she was accompanied by Sullivan, who sat by her side to interpret lectures and texts.

By this time, Keller had mastered several methods of communication, including touch-lip reading, Braille, speech, typing and finger-spelling. With the help of Sullivan and Sullivan’s future husband, John Macy, Keller wrote her first book, The Story of My Life. It covered her transformation from childhood to 21-year-old college student. Keller graduated, cum laude, from Radcliffe in 1904, at the age of 24.

In 1905, Sullivan married John Macy, an instructor at Harvard University, a social critic and a prominent socialist. After the marriage, Sullivan continued to be Keller’s guide and mentor. When Keller went to live with the Macys, they both initially gave Keller their undivided attention. Gradually, however, Anne and John became distant to each other, as Anne’s devotion to Keller continued unabated. After several years, they separated, though were never divorced.

While they were saying it couldn’t be done, it was done.

After college, Keller set out to learn more about the world and how she could help improve the lives of others. News of her story spread beyond Massachusetts and New England. She became a well-known celebrity and lecturer by sharing her experiences with audiences, and working on behalf of others living with disabilities. Throughout the first half of the 20th century, Keller tackled social and political issues, including women’s suffrage, pacifism and birth control. She testified before Congress, strongly advocating to improve the welfare of blind people. In 1915, along with renowned city planner George Kessler, she co-founded Helen Keller International to combat the causes and consequences of blindness and malnutrition. In 1920, she helped found the American Civil Liberties Union.

When the American Federation for the Blind was established in 1921, Keller had an effective national outlet for her efforts. She became a member in 1924, and participated in many campaigns to raise awareness, money and support for the blind. She also joined other organizations dedicated to helping those less fortunate, including the Permanent Blind War Relief Fund (later called the American Braille Press).

Until the great mass of the people shall be filled with the sense of responsibility for each others welfare, social justice can never be attained.

Soon after she graduated from college, Keller became a member of the Socialist Party, most likely due in part to her friendship with John Macy. Between 1909 and 1921, she wrote several articles about socialism and supported Eugene Debs, a Socialist Party presidential candidate. Her series of essays on socialism, entitled “Out of the Dark,” described her views on socialism and world affairs.

It was during this time that Keller first experienced public prejudice about her disabilities. For most of her life, the press had been overwhelmingly supportive of her, praising her courage and intelligence. But after she expressed her socialist views, some criticized her by calling attention to her disabilities. One newspaper, the Brooklyn Eagle, wrote that her “mistakes sprung out of the manifest limitations of her development.”

In 1936, Keller’s beloved teacher and devoted companion, Anne Sullivan, died. She had experienced health problems for several years and, in 1932, lost her eyesight completely. A young woman named Polly Thomson, who had begun working as a secretary for Keller and Sullivan in 1914, became Keller’s constant companion upon Sullivan’s death.

There is beauty in everything, even in silence and darkness.

In 1946, Keller was appointed counselor of international relations for the American Foundation of Overseas Blind. Between 1946 and 1957, she traveled to 35 countries on five continents. In 1955, at age 75, Keller embarked on the longest and most grueling trip of her life: a 40,000-mile, five-month trek across Asia. Through her many speeches and appearances, she brought inspiration and encouragement to millions of people.

Keller’s autobiography, The Story of My Life, was used as the basis for 1957 television drama The Miracle Worker. In 1959, the story was developed into a Broadway play of the same title, starring Patty Duke as Keller and Anne Bancroft as Sullivan. The two actresses also performed those roles in the 1962 award-winning film version of the play.

Keller suffered a series of strokes in 1961, and spent the remaining years of her life at her home in Connecticut. During her lifetime, she received many honors in recognition of her accomplishments, including the Theodore Roosevelt Distinguished Service Medal in 1936, the Presidential Medal of Freedom in 1964, and election to the Women’s Hall of Fame in 1965. She also received honorary doctoral degrees from Temple University and Harvard University and from the universities of Glasgow, Scotland; Berlin, Germany; Delhi, India; and Witwatersrand in Johannesburg, South Africa. Additionally, she was named an Honorary Fellow of the Educational Institute of Scotland.

Keller died in her sleep on June 1, 1968, just a few weeks before her 88th birthday. During her remarkable life, Keller stood as a powerful example of how determination, hard work, and imagination can allow an individual to triumph over adversity. By overcoming difficult conditions with a great deal of persistence, she grew into a respected and world-renowned activist who labored for the betterment of others.

Author of books:
The Story of My Life (1902, memoir)
Optimism: An Essay (1903)
The Spirit of Easter (1904)
Our Duties to the Blind (1904, pamphlet)
The World I Live In (1908)
The Practice of Optimism (1909)
The Song of the Stone Wall (1910, poetry)
The Miracle of Life (1910)
Out of the Dark: Essays, Letters, and Addresses on Physical and Social Vision (1913)
My Religion (1927)
Midstream: My Later Life (1929)
We Bereaved (1929)
Double Blossoms (1931, anthology)
Peace at Eventide (1932)
Helen Keller in Scotland: A Personal Record Written By Herself (1933)
Helen Keller’s Journal (1938, memoir)
Let Us Have Faith (1940)
Teacher: Anne Sullivan Macy: A Tribute by the Foster Child of Her Mind (1955)
The Open Door (1957)

Appears on postage stamps:
USA, Scott #1824 (15 cents, with Anne Sullivan, issued 27-Jun-1980)

Source: Helen Keller – Educator, Journalist – Biography.com

Source: Helen Keller – Wikipedia, the free encyclopedia

Source: See Helen Keller and the Leaders She Inspired | TIME

Source: Helen Keller


It's Words To Live By July on my instagram account! 
I will be posting a quote that I love every day for the month of July. 
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Happy 101st Birthday Susan Hayward

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Today is the 101st birthday of the actress Susan Hayward.  I love her story, her drive, and her determination.  I know it is a bit kitsch to point out that she is in Valley of the Dolls, but she is brilliant in it. The world is a better place because she was in it and still feels the loss that she has left.

NAME: Susan Hayward
OCCUPATION: Film Actress, Pin-up
BIRTH DATE: June 30, 1917
DEATH DATE: March 14, 1975
PLACE OF BIRTH: Brooklyn, New York
PLACE OF DEATH: Hollywood, California
ORIGINALLY: Edythe Marrenner
OSCAR for Best Actress 1959 for I Want to Live!
GOLDEN GLOBE 1953 for With a Song in My Heart
GOLDEN GLOBE 1959 for I Want to Live!
HOLLYWOOD WALK OF FAME 6251 Hollywood Blvd.

BEST KNOWN FOR: Film actress Susan Hayward earned an Academy Award nomination as Best Actress for her role in Smash-Up, and later won for her performance in I Want to Live.

Born Edythe Marrener on June 30, 1917, to a poverty stricken family in Brooklyn, New York, Susan Hayward’s childhood was difficult. She was hit by a car at the age of 7 and stranded at home in a body cast for months. The experience left Hayward with a limp and painful memories of a debility she would never forget.

Hayward’s life took an unexpected turn when she was cast as the lead in a school play at age 12. The attention she received quickly turned her into a compulsive star. By 1935, a sexy swagger had replaced Hayward’s childhood limp, and the gorgeous 17-year-old possessed an hourglass figure, a brassy Brooklyn accent and a burning desire for fortune and fame. She began working as a model to help support her family, and when she was featured in the Saturday Evening Post in 1937, all of America was introduced to the red-headed siren from Brooklyn. The same year, David O. Selznick offered Hayward an audition for the part of Scarlett O’Hara in Gone With the Wind. Though her lack of experience took her out of serious consideration, Hayward decided to trade in her return ticket and stay in Hollywood. After signing a contract with Warner Bros., she changed her name to Susan Hayward.

Hayward was driven to succeed as an actress and worked virtually non-stop. Offered the starring role in Smash-Up: The Story of a Woman in 1947, Hayward dazzled both audiences and critics, receiving her first Academy Award nomination as Best Actress. Hayward received four more nominations over the next 12 years, eventually winning for her work in the wildly successful I Want to Live in 1958. Sadly, the actress’s happiness was eclipsed by the death of her husband Eaton Chalkey. And in 1972, just as she was emerging from her despair, she was diagnosed with cancer.

Refusing to surrender to the illness without a fight, Susan Hayward even managed to present the Academy for Best Actress in 1974. On March 14, 1975, at age 57, the irrepressible Brooklyn Bombshell died, leaving behind legions of fans all over the world.

FILMOGRAPHY AS ACTOR
The Revengers (21-Jun-1972)
Valley of the Dolls (15-Dec-1967) · Helen Lawson
The Honey Pot (21-Mar-1967) · Mrs. Sheridan
Where Love Has Gone (2-Nov-1964) · Valerie Hayden Miller
Stolen Hours (16-Oct-1963)
I Thank a Fool (14-Sep-1962) · Christine Allison
Back Street (11-Oct-1961)
Ada (25-Aug-1961) · Ada Gillis
The Marriage-Go-Round (6-Jan-1961)
Woman Obsessed (27-May-1959)
Thunder in the Sun (8-Apr-1959)
I Want to Live! (18-Nov-1958) · Barbara Graham
Top Secret Affair (30-Jan-1957) · Dottie Peale
The Conqueror (21-Feb-1956)
I’ll Cry Tomorrow (25-Dec-1955) · Lillian Roth
Soldier of Fortune (17-May-1955) · Jane Hoyt
Untamed (1-Mar-1955)
Garden of Evil (9-Jul-1954) · Leah Fuller
Demetrius and the Gladiators (18-Jun-1954) · Messalina
White Witch Doctor (1-Jul-1953)
The President’s Lady (21-May-1953)
The Lusty Men (24-Oct-1952) · Louise Merritt
The Snows of Kilimanjaro (18-Aug-1952) · Helen
With a Song in My Heart (4-Apr-1952) · Jane Froman
David and Bathsheba (10-Aug-1951)
I Can Get It for You Wholesale (4-Apr-1951)
Rawhide (25-Mar-1951)
I’d Climb the Highest Mountain (17-Feb-1951) · Mary Elizabeth Eden Thompson
My Foolish Heart (25-Dec-1949)
House of Strangers (1-Jul-1949) · Irene Bennett
Tulsa (26-May-1949) · Cherokee Lansing
The Saxon Charm (29-Sep-1948)
Tap Roots (25-Aug-1948)
The Lost Moment (21-Nov-1947) · Tina Bordereau
They Won’t Believe Me (16-Jul-1947) · Verna Carlson
Smash-Up: The Story of a Woman (Mar-1947) · Angie Evans Conway
Canyon Passage (17-Jul-1946) · Lucy Overmire
Deadline at Dawn (3-Apr-1946) · June Goth
And Now Tomorrow (22-Nov-1944) · Janice Blair
The Hairy Ape (2-Jul-1944) · Mildred Douglas
The Fighting Seabees (10-Mar-1944)
Jack London (24-Nov-1943)
Hit Parade of 1943 (26-Mar-1943)
Young and Willing (5-Feb-1943)
Star Spangled Rhythm (18-Dec-1942) · Herself
I Married a Witch (30-Oct-1942) · Estelle Masterson
The Forest Rangers (21-Oct-1942)
Reap the Wild Wind (19-Mar-1942) · Drusilla Alston
Among the Living (12-Dec-1941)
Sis Hopkins (12-Apr-1941)
Adam Had Four Sons (27-Mar-1941) · Hester
$1000 a Touchdown (4-Oct-1939)
Beau Geste (2-Aug-1939)
Girls on Probation (22-Oct-1938) · Gloria Adams

Source: Susan Hayward – Wikipedia, the free encyclopedia

Source: Susan Hayward – Film Actress, Classic Pin-Ups – Biography.com

Source: Susan Hayward

Source: Susan Hayward

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Happy 94th Birthday Eva Marie Saint

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Today is the 93rd birthday of Eva Marie Saint.  If ever asked to pick my favorite “Hitchcock Blonde,” I would have a very hard time picking just one. Eva Marie Saint is one of them for sure, maybe the first. Her cool sexiness in North by Northwest is par none. My sister and I must have watched that film at least 25 times after school, it was the beginning of my obsession with Mid Century everything and that amazing Paramount VistaVision! You should also watch On The Waterfront to truly see her range, it is her first film and beyond legendary.  The world is a better place because she is in it.

NAME: Eva Marie Saint
OCCUPATION: Actor
BIRTH DATE: July 4, 1924
EDUCATION: BA Theater Arts, Bowling Green State University (1946)
PLACE OF BIRTH: Newark, NJ
OSCAR for Best Supporting Actress 1955 for On the Waterfront
EMMY 1990 for People Like Us
HOLLYWOOD WALK OF FAME 6624 Hollywood Blvd.
HOLLYWOOD WALK OF FAME 6730 Hollywood Blvd.

TELEVISION
Moonlighting Virginia Hayes (1986-88)
One Man’s Family Claudia Barbour Roberts (1950-52)

FILMOGRAPHY AS ACTOR
Winter’s Tale (13-Feb-2014)
Superman Returns (28-Jun-2006)
Don’t Come Knocking (19-May-2005)
Because of Winn-Dixie (26-Jan-2005)
Broadway: The Golden Age (Apr-2003) · Herself
I Dreamed of Africa (5-May-2000) · Franca
Jackie’s Back! (14-Jun-1999) · Herself
Time to Say Goodbye? (1-Sep-1997)
Titanic (17-Nov-1996)
Palomino (21-Oct-1991)
Breaking Home Ties (26-Nov-1987)
The Last Days of Patton (14-Sep-1986)
Nothing in Common (30-Jul-1986) · Lorraine Basner
Fatal Vision (18-Nov-1984)
Malibu (23-Jan-1983)
Splendor in the Grass (26-Oct-1981)
The Best Little Girl in the World (11-May-1981)
The Curse of King Tut’s Tomb (8-May-1980)
A Christmas to Remember (22-Dec-1978)
How the West Was Won (6-Feb-1977)
The Macahans (19-Jan-1976)
Cancel My Reservation (21-Sep-1972)
Loving (4-Mar-1970)
The Stalking Moon (22-Jan-1969) · Sarah Carver
Grand Prix (21-Dec-1966) · Louise Frederickson
The Russians Are Coming, the Russians Are Coming (25-May-1966) · Elspeth Whittaker
The Sandpiper (23-Jun-1965) · Claire Hewitt
36 Hours (28-Jan-1965) · Anna Hedler
Carol for Another Christmas (28-Dec-1964) · Wave
All Fall Down (11-Apr-1962) · Echo O’Brien
Exodus (27-Mar-1960) · Kitty Fremont
North by Northwest (17-Jul-1959) · Eve Kendall
Raintree County (4-Oct-1957) · Nell Gaither
A Hatful of Rain (17-Jul-1957) · Celia Pope
That Certain Feeling (4-Jun-1956)
On the Waterfront (28-Jul-1954) · Edie Doyle

BEST KNOWN FOR: Eva Marie Saint won an Oscar as Best Supporting Actress for her film debut, On the Waterfront with Marlon Brando, in which she told him to “Let your conscience tell you what to do”.

Eva Marie Saint is an American actress who has starred in films, on Broadway, and on television in a career spanning seven decades. She won an Academy Award for Best Supporting Actress for her performance in the drama film On the Waterfront (1954), and later starred in the thriller film North by Northwest (1959), directed by Alfred Hitchcock. Saint received Golden Globe and BAFTA award nominations for the drama film A Hatful of Rain (1957) and won an Emmy Award for the television miniseries People Like Us (1990). Her film career also includes roles in Raintree County (1957), Because of Winn-Dixie (2005), and Superman Returns (2006).

Saint’s first feature-film role, at age 30, was in On the Waterfront (1954), directed by Elia Kazan and starring Marlon Brando – a performance for which she won the Academy Award for Best Supporting Actress. Her role as Edie Doyle (whose brother’s death sets the film’s drama in motion), which she won over such leading contenders as Claire Trevor, Nina Foch, Katy Jurado, and Jan Sterling also earned her a British Academy of Film and Television Award nomination for “Most Promising Newcomer.” In his New York Times review, film critic Bosley Crowther wrote:

“In casting Eva Marie Saint – a newcomer to movies from TV and Broadway – Mr. Kazan has come up with a pretty and blond artisan who does not have to depend on these attributes. Her parochial school training is no bar to love with the proper stranger. Amid scenes of carnage, she gives tenderness and sensitivity to genuine romance.”

In a 2000 interview in Premiere magazine, Saint recalled making the hugely influential film:

“[Elia] Kazan put me in a room with Marlon Brando. He said ‘Brando is the boyfriend of your sister. You’re not used to being with a young man. Don’t let him in the door under any circumstances’. I don’t know what he told Marlon; you’ll have to ask him – good luck! [Brando] came in and started teasing me. He put me off-balance. And I remained off-balance for the whole shoot.”

The film was a major success and launched Saint’s movie career. She starred with Don Murray in the pioneering drug-addiction drama, A Hatful of Rain (1957), for which she received a nomination for the “Best Foreign Actress” award from the British Academy of Film and Television, and the lavish Civil War epic Raintree County (also 1957) with Elizabeth Taylor and Montgomery Clift.

Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director’s early “wrong man” spy adventures of the 1930s, 1940s, and 1950s, including The 39 Steps, Young and Innocent, and Foreign Correspondent. North by Northwest became a box-office hit and an influence on spy films for decades. The film ranks number forty on the American Film Institute’s list of the 100 Greatest American Movies of All Time.

At the time of the film’s production, much publicity was gained by Hitchcock’s decision to cut Saint’s waist-length blonde hair for the first time in her career. Hitchcock explained at the time, “Short hair gives Eva a more exotic look, in keeping with her role of the glamorous woman of my story. I wanted her dressed like a kept woman – smart, simple, subtle and quiet. In other words, anything but the bangles and beads type.” The director also worked with Saint to make her voice lower and huskier and even personally chose costumes for her during a shopping trip to Bergdorf Goodman in New York City.

The change in Saint’s screen persona, coupled with her adroit performance as a seductive woman of mystery who keeps Cary Grant (and the audience) off-balance, was widely heralded. In his New York Times review of August 7, 1959, critic Bosley Crowther wrote, “In casting Eva Marie Saint as [Cary Grant’s] romantic vis-a-vis, Mr. Hitchcock has plumbed some talents not shown by the actress heretofore. Although she is seemingly a hard, designing type, she also emerges both the sweet heroine and a glamorous charmer.” In 2000, recalling her experience making the picture with Cary Grant and Hitchcock, Saint said, “[Grant] would say, ‘See, Eva Marie, you don’t have to cry in a movie to have a good time. Just kick up your heels and have fun.’ Hitchcock said, ‘I don’t want you to do a sink-to-sink movie again, ever. You’ve done these black-and-white movies like On the Waterfront. It’s drab in that tenement house. Women go to the movies, and they’ve just left the sink at home. They don’t want to see you at the sink.’ I said, ‘I can’t promise you that, Hitch, because I love those dramas.'”

She has two stars on the Hollywood Walk of Fame, for motion pictures at 6624 Hollywood Boulevard, and television at 6730 Hollywood Boulevard.


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Happy 93rd Birthday Kim Stanley

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Today is the 93rd birthday of the actress Kim Stanley.  She was the narrator of To Kill A Mockingbird and played Francis Farmer‘s mother in Frances, two gorgeous films that are so very powerful and important.  Her body of work is so incredibly impressive and valuable.  The world is a better place because she was in it and still feels the loss because she has left.

NAME: Patricia Reid
DATE OF BIRTH: February 11, 1925
BIRTHPLACE: Tularosa, New Mexico, U.S.
DATE OF DEATH: August 20, 2001 (aged 76)
PLACE OF DEATH: Santa Fe, New Mexico, U.S.

BEST KNOWN FOR: American actress, primarily in television and theatre, but with occasional film performances.

Kim Stanley (born Patricia Reid) was an American actress, primarily in television and theatre, but with occasional film performances.

She began her acting career in theatre, and subsequently attended the Actors Studio in New York City, New York. She received the 1952 Theatre World Award for her role in The Chase (1952), and starred in the Broadway productions of Picnic (1953) and Bus Stop (1955). Stanley was nominated for the Tony Award for Best Performance by a Featured Actress in a Play for her roles in A Touch of the Poet (1959) and A Far Country (1962).

During the 1950s, Stanley was a prolific performer in television, and later progressed to film, with a well-received performance in The Goddess (1959). She was the narrator of To Kill a Mockingbird (1962) and starred in Séance on a Wet Afternoon (1964), for which she won the New York Film Critics Circle Award for Best Actress and was nominated for the Academy Award for Best Actress. She was less active during the remainder of her career; two of her later film successes were as the mother of Frances Farmer in Frances (1982), for which she received a second Academy Award nomination as Best Supporting Actress, and as Pancho Barnes in The Right Stuff (1983). She received an Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie for her performance as Big Mama in a television adaptation of Cat on a Hot Tin Roof (1985).

She did not act during her later years, preferring the role of teacher, in Los Angeles, California, and later Santa Fe, New Mexico, where she died in 2001, of uterine cancer.

Happy 94th Birthday Marlon Brando

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Today is the 94th birthday of Marlon Brando. He was brilliant and beautiful. Have you seen A Streetcar Named Desire or On The Waterfront lately? He did get kind of strange, but we all will if we are lucky to live long enough. The world is a better place because he was in it and still feels the loss that he has left.

NAME: Marlon Brando
OCCUPATION: Film Actor
BIRTH DATE: April 3, 1924
DEATH DATE: July 1, 2004
PLACE OF BIRTH: Omaha, Nebraska
PLACE OF DEATH: Los Angeles, California
REMAINS: Cremated (ashes scattered in Tahiti and Death Valley)
OSCAR for Best Actor 1955 for On the Waterfront
GOLDEN GLOBE 1955 for On the Waterfront
GOLDEN GLOBE 1956 for World Film Favorite, Male
OSCAR for Best Actor 1973 for The Godfather
GOLDEN GLOBE 1973 for The Godfather
GOLDEN GLOBE 1974 for World Film Favorite, Male
EMMY 1979 for Roots: The Next Generations
HOLLYWOOD WALK OF FAME 1777 Vine Street

BEST KNOWN FOR: Legendary screen presence Marlon Brando performed for more than 50 years and is famous for such films as A Streetcar Named Desire and The Godfather.

Actor Marlon Brando was born on April 3, 1924, in Omaha, Nebraska. Brando grew up in Illinois, and after expulsion from a military academy, he dug ditches until his father offered to finance his education. Brando moved to New York to study with acting coach Stella Adler and at Lee Strasberg’s Actors’ Studio. Adler has often been credited as the principal inspiration in Brando’s early career, and with opening the actor to great works of literature, music and theater.

While at the Actors’ Studio, Brando adopted the “method approach,” which emphasizes characters’ motivations for actions. He made his Broadway debut in John Van Druten’s sentimental I Remember Mama (1944). New York theater critics voted him Broadway’s Most Promising Actor for his performance in Truckline Caf (1946). In 1947, he played his greatest stage role, Stanley Kowalski — the brute who rapes his sister-in-law, the fragile Blanche du Bois in Tennessee Williams’ A Streetcar Named Desire.

Hollywood beckoned to Brando, and he made his motion picture debut as a paraplegic World War II veteran in The Men (1950). Although he did not cooperate with the Hollywood publicity machine, he went on to play Kowalski in the 1951 film version of A Streetcar Named Desire, a popular and critical success that earned four Academy Awards.

Brando’s next movie, Viva Zapata! (1952), with a script by John Steinbeck, traces Emiliano Zapata’s rise from peasant to revolutionary. Brando followed that with Julius Caesar and then The Wild One (1954), in which he played a motorcycle-gang leader in all his leather-jacketed glory. Next came his Academy Award-winning role as a longshoreman fighting the system in On the Waterfront, a hard-hitting look at New York City labor unions.

During the rest of the decade, Brando’s screen roles ranged from Napoleon Bonaparte in Désirée (1954), to Sky Masterson in 1955’s Guys and Dolls, in which he sang and danced, to a Nazi soldier in The Young Lions (1958). From 1955 to 1958, movie exhibitors voted him one of the top 10 box-office draws in the nation.

During the 1960s, however, his career had more downs than ups, especially after the MGM studio’s disastrous 1962 remake of Mutiny on the Bounty, which failed to recoup even half of its enormous budget. Brando portrayed Fletcher Christian, Clark Gable’s role in the 1935 original. Brando’s excessive self-indulgence reached a pinnacle during the filming of this movie. He was criticized for his on-set tantrums and for trying to alter the script. Off the set, he had numerous affairs, ate too much, and distanced himself from the cast and crew. His contract for making the movie included $5,000 for every day the film went over its original schedule. He made $1.25 million when all was said and done.

Brando’s career was reborn in 1972 with his depiction of Mafia chieftain Don Corleone in Francis Ford Coppola’s The Godfather, a role for which he received the Academy Award for Best Actor. He turned down the Oscar, however, in protest of Hollywood’s treatment of Native Americans. Brando himself did not appear at the awards show. Instead, he sent a Native American Apache named Sacheen Littlefeather (who was later determined to be an actress portraying a Native American) to decline the award on his behalf.

Brando proceeded the following year to the highly controversial yet highly acclaimed Last Tango in Paris, which was rated X. Since then, Brando has received huge salaries for playing small parts in such movies as Superman (1978) and Apocalypse Now (1979). Nominated for an Academy Award for Best Supporting Actor for A Dry White Season in 1989, Brando also appeared in the comedy The Freshman with Matthew Broderick.

In 1995, Brando costarred in Don Juan DeMarco with Johnny Depp. In early 1996, Brando costarred in the poorly received The Island of Dr. Moreau. Entertainment Weekly reported that the actor was using an earpiece to remember his lines. His costar in the film, David Thewlis, told the magazine that Brando nonetheless impressed him. “When he walks into a room,” Thewlis noted, “you know he’s around.”

In 2001, Brando starred as an aging jewel thief in pursuit of one last payoff in The Score, also starring Robert De Niro, Edward Norton, and Angela Bassett.

It has been observed that Brando has perhaps loved food and womanizing too much. His best acting performances are roles that required him to show a constrained and displayed rage and suffering. His own rage may have come from parents who did not care about him.

Time magazine reported, “Brando had a stern, cold father and a dream-disheveled mother- both alcoholics, both sexually promiscuous-and he encompassed both their natures without resolving the conflict.” Brando himself wrote in his autobiography, “If my father were alive today, I don’t know what I would do. After he died, I used to think, ‘God, just give him to me alive for eight seconds because I want to break his jaw.'”

Although Brando avoids speaking in detail about his marriages, even in his autobiography, it is known that he has been married three times to three ex-actresses. He has at least 11 children. Five of the children are with his three wives, three are with his Guatemalan housekeeper, and the other three children are from affairs. One of Brando’s sons, Christian Brando, told People magazine, “The family kept changing shape. I’d sit down at the breakfast table and say, ‘Who are you?'”

In 1991, Christian was convicted of voluntary manslaughter in the death of his sister’s fiancee, Dag Drollet, and received a 10-year sentence. He claimed Drollet was physically abusing his pregnant sister, Cheyenne. Christian said he struggled with Drollet and accidentally shot him in the face. Brando, in the house at the time, gave mouth-to-mouth resuscitation to Drollet and called 911. At Christian’s trial, People reported one of Brando’s comments on the witness stand, “I tried to be a good father. I did the best I could.”

Brando’s daughter, Cheyenne, was a troubled young woman. In and out of drug rehabilitation centers and mental hospitals for much of her life, she lived in Tahiti with her mother Tarita (one of Brando’s wives, whom he met on the set of Mutiny on the Bounty). People reported in 1990 that Cheyenne said of Brando, “I have come to despise my father for the way he ignored me as a child.”

After Drollet’s death, Cheyenne became even more reclusive and depressed. A judge ruled that she was too depressed to raise her child and gave custody of the boy to her mother, Tarita. Cheyenne took a leave from a mental hospital on Easter Sunday in 1995 to visit her family. At her mother’s home that day, Cheyenne, who had attempted suicide before, hanged herself.

Brando’s years of self-indulgence are visible, as he weighed well over 300 pounds in the mid-1990s. The actor died of pulmonary fibrosis in a Los Angeles hospital in 2004 at the age of 80. But to judge Brando by his appearance and dismiss his work because of his later, less significant acting jobs, however, would be a mistake. His performance in A Streetcar Named Desire brought audiences to their knees, and his range of roles is a testament to his capability to explore many aspects of the human psyche.

FILMOGRAPHY AS DIRECTOR
One-Eyed Jacks (30-Mar-1961)

FILMOGRAPHY AS ACTOR
Birth of the Living Dead (18-Oct-2013) · Himself
The Score (9-Jul-2001)
Free Money (3-Dec-1998) · The Swede
The Brave (10-May-1997)
The Island of Dr. Moreau (23-Aug-1996) · Dr. Moreau
Don Juan DeMarco (7-Apr-1995) · Jack Mickler
Christopher Columbus: The Discovery (20-Aug-1992)
Hearts of Darkness: A Filmmaker’s Apocalypse (May-1991) · Himself
The Freshman (20-Jul-1990)
A Dry White Season (10-Sep-1989)
The Formula (19-Dec-1980)
Apocalypse Now (15-Aug-1979) · Col. Kurtz
Superman (15-Dec-1978) · Jor-El
The Missouri Breaks (19-May-1976) · Lee Clayton
Last Tango in Paris (14-Oct-1972) · Paul
The Godfather (15-Mar-1972) · Don Vito Corleone
The Nightcomers (15-Feb-1972) · Peter Quint
Burn! (21-Dec-1969)
The Night of the Following Day (26-Dec-1968) · Chauffeur
Candy (17-Dec-1968)
Reflections in a Golden Eye (11-Oct-1967) · Maj. Weldon Penderton
A Countess from Hong Kong (5-Jan-1967)
The Appaloosa (14-Sep-1966) · Matt
The Chase (19-Feb-1966)
Morituri (25-Aug-1965)
Bedtime Story (10-Jun-1964)
The Ugly American (2-Apr-1963)
Mutiny on the Bounty (8-Nov-1962) · Fletcher Christian
One-Eyed Jacks (30-Mar-1961) · Rio
The Fugitive Kind (1-Dec-1959) · Val Xavier
The Young Lions (2-Apr-1958)
Sayonara (5-Dec-1957) · Maj. Gruver
The Teahouse of the August Moon (29-Nov-1956) · Sakini
Guys and Dolls (3-Nov-1955) · Sky Masterson
Desirée (17-Nov-1954)
On the Waterfront (28-Jul-1954) · Terry Malloy
The Wild One (30-Dec-1953) · Johnny
Julius Caesar (4-Jun-1953) · Mark Antony
Viva Zapata! (7-Feb-1952) · Zapata
A Streetcar Named Desire (18-Sep-1951) · Stanley
The Men (20-Jul-1950) · Ken

Source: Marlon Brando

Source: Marlon Brando – Wikipedia

Source: Marlon Brando – Film Actor, Actor – Biography.com

Source: Marlon Brando

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